Showing posts with label Pritam. Show all posts
Showing posts with label Pritam. Show all posts

Once Upon A Time In Mumbai: Review

Monday, August 2, 2010

Successes and Failures aside, Milan Luthria’s works so far reflect his penchant for exploring new vistas. Starting as a Mahesh Bhatt protégé and later venturing out on his own with films like Kache Dhaage, Chori Chori, Taxi No 9211, Hattrick, Deewar and now Once Upon A Time In Mumbai (OUATIM), Luthria has shown diversity in his work. His films had something about them that got him noticed. With OUATIM, he is sure to earn respect.

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Love Aaj Kal - Review

Saturday, August 1, 2009

There is a cruel law of the nature that’s called the law of averages. If you are good one day, you are bound to be bad the other day to keep it even. Imtiaz Ali, it seems, is an exception to this rule. After Socha Na Tha and Jab We Met, Imtiaz’s third film Love Aaj Kal promises to hit the bull’s eye yet again!

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New York - Review

Monday, June 29, 2009

When you visit the Ground Zero in New York, you can very well sense that quietness amidst the bustling streets of the downtown. Such is the impact of the 9/11 incident. It certainly changed our lives, perceptions and to some extent majority of the World’s outlook towards Islam. New York, is an attempt from Kabir Khan to show the after effects of 9/11 in the lives of people. Coming from Kabir Khan, a documentary film maker, if you think that this one too sounds like a documentary, you need to go and watch the film. It’s your high-end Bollywood flick that carries a message that comes across. Finally one of the better films to end the drought. Friends, the monsoon seems to have arrived in Bollywood!

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Billoo - The Review

Wednesday, February 18, 2009

With the world going ballistic over the performance of DevD, I feel a bit like an outcast speaking about the erstwhile Billoo Barber that came out as Billoo. I didn’t find too many takers for this movie either when I proposed to go for it. I now have a growing feeling that brand SRK doesn’t work the way it used to a few years back. Is it the beginning of the end for King Khan or is Billoo not qualified to be called his film? Anyways, without getting philosophical on the reasons behind the rise and the apparent fall of the uncrowned king (which unfortunately becomes the talking point with each of SRK’s release), let’s get down to discussing Billoo, the film.

Priyadarshan is an acclaimed director down south and the highest paid even in Bollywood. He makes some inane comedies that are essentially remakes or re-remakes but is still able to command respect at the box office. He gave a hit in Malamal Weekly with a non-existent star cast. This time around, he plays it safe by casting stars such as SRK, Irfan and Lara Dutta and getting guest appearances from all top notch female superstars. You name them and you have them swaying to Pritam’s foot tapping numbers in the film. Quite sadly, these expected ‘pluses’ are what make Billoo fall short of the mark. I felt that Priyadarshan’s idea of Krishna-Sudama story got mixed and mashed with commercial gimmicks and lost relevance. Amidst the hype and hoopla of item songs and SRK’s extravagant portrayal of the superstar, the theme of the story took a backseat and the effect didn’t come out as it should have.

Of all directors of repute, Priyadarshan is the only one who doesn’t know when to throw in a song in the plot. He falters this time too. If passing off south Indian village setting as a north Indian one was not enough, he decides to show the shooting of Star Wars like scenes in a small village. My question is – Why on Earth will a film crew shoot a high quality action sequence with an amazing set on an outdoor schedule in a village? Defying logic is another name for Priyadarshan’s commercial ventures so let’s just blink and give it a miss.

Despite cribbing about Priyadarshan’s sticking to the same old formula films, one cannot discount the fact that some of his films have good messages behind them. It is this fact that makes him command respect even after delivering some nonsensical stuff every now and then. Billoo too has a very nice message behind its story line that comes to the fore partially despite all other shortcomings. And the person responsible for it is not Priyadarshan but Irfan Khan. The guy is amazing in his art. He gets into the skin of the character beautifully. Just look out for him in the scene where he calls up the guest house and gets screamed at. Some people might accuse him of being repetitive but for me he is a genius. Lara Dutta looks efficient in her deglamorised part. SRK had to play himself and he ended up playing some more. Maybe there was a need to capture the aura surrounding a superstar in loud terms. This is by no stretch of imagination a SRK film. He makes a guest appearance and gives a long sermon at the end. That wasn’t his doing but someone’s got to share the blame.

Music is strictly ‘chaalu’ kind. It sounds good only while it lasts and has little recall value. Pritam is like Rajendra Kumar. He gives hits but will never be remembered for his work. The copycat tag too works against him because you never know when someone will come out telling where he picked his latest tune from. The support cast is the same as in any of Priyadarshan’s films. There is no novelty or a surprise package. Having said that, they all are good actors so they do a decent job but nothing worth mentioning.

Billoo is a film that undoubtedly has a soul even though the purpose is all lost. The oft repeated formula of Priyadarshan would prevent people from going for it. It will probably get average returns at the box office banking on the star value and a good performance by the lead protagonist Irfan Khan and also because the budget wasn't all that high. I will give it a 2.5 out of 5 and I wonder why I wrote this review.

..And would you believe it..I went to watch DevD the other day, walked upto the ticket counter and then decided against it! I don’t know why I don’t want to watch that film despite all the rave reviews.

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Singh is Kinng - The Review

Wednesday, August 13, 2008


The King is here! Akshay Kumar and SRK have been involved in a rat race to become Bollywood's King. Though they both have been running neck to neck for sometime now, there was always this difference in the way they fared. While SRK churned single big hits, Akshay churned a number of smaller hits. With Singh is King’s collections touching 28 crores in the first weekend, Akshay has gained a slight upper edge for the moment. SRK’s OSO had grossed 26 crores in its opening week. So much so for the stats. Now coming to the film, Singh is King, like OSO, is a glossy affair with little substance. Just like OSO, the credit for the success of the film should go to the producers of the film who have left no stone unturned to ensure that it runs on the steam generated out of its super publicity. Getting down to the dissection part now, let me talk about the film and the people behind it.

Producer (Vipul Shah): A smart Gujju bhai. Vipul Shah is man with the Midas' touch. Each of his films has been a bigger grosser than his previous one. He has an astute mind of a business man no doubt. Since he was not at the helm behind the camera this time around, he spent his energy on giving the film a very good production value. A lot was spent on publicizing the film. Tremendous hype generated now has Mr. Shah laughing his way to the bank. He wanted to make money with the investment and he has succeeded. Part played with aplomb. Kudos to him!

Director (Anees Bazmee): You don’t associate Anees Bazmee with Stanley Kubrick style of film making. He makes no brainers and that’s just about it. He completes a hatrick of sorts with his third straight film being declared a super hit (if you discount his Govinda starrer Sandwich that sprang out of nowhere a couple of years back). Anees Bazmee would give more hits in the times to come but he will never go into the annals of film history as a great director. There was a time when David Dhawan too gave back to back hits. They made money but never got the respect. Making money is one thing and getting acclaimed for them is another. This film is more about Vipul Shah and Akshay rather than Anees Bazmee. Having said that, you have to admit that he is an intelligent film-maker who understands the sensibilities of the Indian audience very well.

Actors (Akshay and Team): Akshay Kumar has slogged hard to be at the place that he is in now. Nothing seems boring when he is onscreen. His rise in comedy almost coincided with Govinda’s decline as the comedy king. He has given the art a new perspective and despite looking repetitive at times, gives you enough to smile about. As the goofy Sardar from sadde Dharmendar da pind, he excels and carries the whole film on his capable shoulders.

Katrina is one lucky girl. How many new faces get to become the arm candy of a superstar like Salman Khan and then get to work opposite another in films after films? Her plus – she looks beautiful. Her minus – she can’t do what she is intended to – act! But in hindi films, the heroines don’t need to act. Can’t help sounding like a male chauvinist here but sorry folks, that’s the status quo in the film industry today. Anyways, she might learn in the long run. More importantly, we all love Katrina, don’t we ;)

Support Cast: Able. Sonu Sood makes a dashing entry and is then relegated to playing the silent ‘ungli wale’ baba. Kirron Kher is just about okay. Javed Jaffery is likeable as the partially deaf and blind gangster. Ranvir Shorey is wasted in a part that even a TV actor could have played (Gosh! Am I sounding like a pig now? First the females and then the TV actors). Neha Dhupia plays the ‘Mona Darling’ part. She did it in Mithya recently and this one’s just an extension with a dash of nonsense.

Music (Pritam): Pritam the copy cat comes up with another hit album. Songs are good. I just hope that this album does not have at least one ‘inspired’ song for the sake of originality. Teri Ore is a romantic number and is picturised in Egypt. Picturization is similar to the Suraj Hua Maddham song from K Jo’s KKKG. The title song is a Sardar anthem. Bhootni Ke is an offbeat marriage song that you would love to mischievously play at a foe’s wedding. Jee Karda is a dance number. The other song(s) are passable.

Product (Singh is Kinng): Singh is Kinng is at best Welcome Part II. Overall just about a tolerable affair as it gets over in little over two hours. Songs are forced into the film at times. The climax is shoddy like it was in Welcome. The dialogues are funny. The Sardar touch is very much there. A film that you would best love to go with your buddies. Go watch it if you were able to handle mindless affairs like OSO and Welcome.

2 points for the gloss and 0.5 for what’s inside. That makes it a 2.5 out of 5 rating from my side!

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